Grimmig fonts from Schriftlabor

Grimmig fonts from Schriftlabor - (zryhj)

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Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

Grimmig

[qwdqw] Download Hamidah fonts from IbeyDesign

Hamidah Hamidah Modern Calligraphy Font is a gorgeous and bold handwritten font. It reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Hamidah Download Now View Gallery

Cheorcy fonts from Ergibi Studio - (covze)

Download Now Server 1 Download Now Server 2 Download Now Server 3 Cheorcy , This font inspired by the famous logo is simple but classy perfect for logotype, apparel, branding, packaging, very good for combining your design work with a clear line with several different weights that are very comfortable in the design area you are easy to read and as title, magazine, label, advertising and anything elegant. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, ligature. Also support multilingual What's Included : STANDAR GLYPSH LIGATURES Ergibi Studio Cheorcy Cheorcy

[rzujr] Download Probeta fonts from deFharo

Probeta Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o» , in an exercise of minimalist constructio n, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading . I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts f...

Dave Tapia

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